傳承日本「具體美術」精神、現在作為不分流派在世界發光的藝術團體「NAU」。
「NAU 21世紀美術連立展」以「新達達組織者」為基礎，「新達達組織者」於1960年代由荒川修作、 篠原有司男、赤瀬川原平、風倉匠等人組成，後來由反藝術領袖吉村益信與戲法藝術的頂尖專家岩永忠樹重組為前身「藝術家聯盟」（AU Artist Union）。2000 年，NAU 發起「NAU 21 世紀藝術展 - 初展」，作為不分流派的藝術家聯盟，一直延續至今。
荒川修作：日本紫綬褒章獲得者。法國藝術及文學勳章持有人。
篠原有司男：日本前衛藝術家，作品被現代藝術博物館，紐約、加拿大蒙特婁當代藝術博物館、法國里昂當代藝術館、東京都現代美術館, 東京、原美術館，東京等數十家美術館收藏。
赤瀬川原平：前衛藝術團體「新達達」和 「高赤中」的成員，曾獲獲第84屆芥川龍之介獎。
風倉匠：新達達主義組織者。曾受邀參加巴黎龐畢度中心舉辦的「日本前衛藝術1910-1970」展。
吉村益信：出生於大分市，1951年與後來成為世界知名建築師的磯崎新共同組成新世紀集團，並就讀於武藏野美術學校。從1955年開始，他繼續在未經審查的讀賣獨立展上展出自己的作品，並於1965年與篠原有司男等人組成新達達主義組織者，並在1960年因其“反藝術」的作品和表演而迅速受到關注。之後移居美國，在紐約舉辦個展和群展，1961年返回日本。回到日本後，他積極致力於動態藝術和光藝術，在日本當代藝術展上展出了“反物質：莫比烏斯上的光”，並在1970年大阪世博會上展示了他製作各種展館的技巧。隨後，他發布了《Pig・Pig・lib;》等流行普普藝術作品，並利用三維和二維等多種表現形式開展了豐富多彩的創作活動。
“NAU” is an art collective that inherits the spirit of Japan’s “Gutai Art” and now shines globally as a non-sectarian group.
The “NAU 21st Century Art Joint Exhibition” is based on the “Neo-Dada Organizers.” The Neo-Dada Organizers were formed in the 1960s by Shusaku Arakawa, Ushio Shinohara, Genpei Akasegawa, Takumi Kazakura, and others, and later reorganized by anti-art leader Masunobu Yoshimura and top performance artist Tadaki Iwanaga as the predecessor “Artist Union (AU Artist Union).” In 2000, NAU launched the “NAU 21st Century Art Exhibition – First Edition” and has continued as a non-sectarian artists’ union to this day.
Key Members:
- Shusaku Arakawa: Recipient of the Japanese Purple Ribbon Medal, holder of the French Ordre des Arts et des Lettres.
- Ushio Shinohara: Japanese avant-garde artist; works held in the Museum of Modern Art (New York), Montreal Museum of Contemporary Art (Canada), Lyon Contemporary Art Museum (France), Museum of Contemporary Art Tokyo, and Hara Museum of Contemporary Art, among others.
- Genpei Akasegawa: Member of the avant-garde groups “Neo-Dada” and “High Akachuu”; recipient of the 84th Akutagawa Ryunosuke Prize.
- Takumi Kazakura: Organizer of Neo-Dadaism; invited to the Pompidou Center in Paris for “Japanese Avant-Garde Art 1910–1970.”
- Masunobu Yoshimura: Born in Oita City; co-founded the New Century Group with architect Arata Isozaki in 1951 and studied at Musashino Art University. Exhibited at the Yomiuri Independent Exhibition from 1955 without censorship. Formed the Neo-Dada Organizers with Ushio Shinohara in 1965, gaining attention for his “anti-art” works. Lived in New York for solo and group exhibitions, returned to Japan in 1961, pursued dynamic and light art, presented “Anti-Matter: Light on a Möbius” at the Japan Contemporary Art Exhibition, contributed to various pavilions at Expo ’70 Osaka, later produced pop art works such as Pig・Pig・lib; and explored diverse creative expressions in 2D and 3D.
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